Team GB’s first male artistic swimmer is thoroughly satisfied to have earned the respect of friends who once asked why he did not just play football like everyone else.
Ranjuo Tomblin is one of 12 British artistic swimmers hoping to top the podium at the European Games this week in Krakow, but the 17-year-old knows he will be making history no matter what the result.
When he and Beatrice Crass slip into the pool for Thursday’s mixed duet technical event, Tomblin will also be making his milestone senior debut with Team GB.
“Definitely my friends at the start were like, ‘Oh, why are you doing that? Why aren’t you doing football, you know, the generic sports?'” he said.
“But as I’ve grown and developed and I’ve got a few medals in the bank, they definitely more respect what I do, now they’re like, ‘Oh, that’s a really cool thing you do’.”
Tomblin’s ambitions to erase stigma and stereotype around his chosen sport, once known as synchronised swimming, extend well beyond his circle of friends.
Artistic swimming is, like a duck gliding smoothly across a lake, an illusion of effortlessness when in reality it is anything but. Asked about the biggest misconception people hold, Tomblin’s answer comes immediately.
“That it is easy,” he said. “It’s not easy. A lot of people just think it’s having a play about in the water. It’s really not.”
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Training comprises working on everything from strength and conditioning to flexibility, knee extensions, toe points, breath-holding, swimming, stamina and timing.
Consider the feeling of, as American synchro coach Joyce Lindeman once put it, “running a marathon while holding your breath”.
Also it is set to music, and you are judged on how good you look doing it.
Tomblin spent nearly a decade in gymnastics and it was only by fluke that the woman coaching his “normal” swimming lessons at Atlantis Flamingos also happened to be the synchro coach.
Hearing about his gymnastics background, she asked if he wanted to give artistic swimming a go.
“I immediately loved it. It’s really grown from there,” said Tomblin, though he admits there was an adjustment period, adding: “It definitely did feel a bit weird, especially with the first team I joined.
“There were no boys, it was full of girls and it was a bit awkward and it was hard to make friends, but I feel like after I joined the national squad everyone’s really lovely. We’re all good friends.”
A landmark December 2022 World Aquatics decision paved the way for male artistic swimmers to compete at next summer’s Paris Olympics, which will now allow up to two men in the eight-athlete team event.
Tomblin won silver at the inaugural male free solo event at the 2022 LEN European Junior Championships as well as bronze alongside Cass and, while he is certainly open to the possibility of the team event, mixed duet – appearing for the first time at a European Games – is Tomblin’s speciality.
Mixed duet is not on the programme for Paris, but December’s announcement allowed Tomblin to be cautiously optimistic that his event could feature at the 2028 Games in Los Angeles.
“When I first heard that, I felt really excited and hopeful,” he said. “Because now they’re like, ‘Oh there’s loads of boys so let’s let them in the Olympics’… then hopefully that will lead towards the mixed duet going into the Olympic Games.”
While records will fall and champions change, there can only ever be one person who does something first, and Tomblin is delighted by the role he could play in ensuring he will not be the last.
“It would mean so much to me,” he added. “I’m working so hard because I’ve seen males older than me, like (Team USA’s) Bill May. I look up to him and he inspires me so much. I’d like to inspire someone – that would feel really nice for me.”
Hughes targets Olympic glory; expects Racers Grand Prix to offer taste of potential Paris test
Winning a first global individual medal at last year’s World Championships whetted Zharnel Hughes’s appetite for more success, and so it comes as no surprise that the Anguillan-born Great Britain sprint sensation is strongly optimistic about clinching a medal at this summer’s Olympic Games in Paris.
In fact, if Hughes’s confidence to top his performances from last year is anything to go by, then he could very well accomplish the feat, provided he maintains a clean bill of health throughout the season.
During last year’s electrifying campaign, which ended with his World Championships bronze in the men’s 100m final, Hughes broke Olympic champion Linford Christie’s 100m British national record when he clocked a personal best 9.83 seconds at the New York Grand Prix, in June.
A month later, at the UK Athletics Championship, Hughes ran a brisk 19.77s, which is faster than John Regis’s national 200m record, but the time was wind-aided and, as such, was recognised as a record. However, Hughes, with his superb form, inevitably established a new record when he clocked a wind-legal 19.73s at the London Diamond League.
With that in mind, coupled with his relentless work ethic and resolute pursuit of excellence, Hughes is poised to make another significant impact on the world stage this year. Whether or not it will be an Olympic gold medal triumph is left to be seen.
“It's the Olympic year, so obviously you want to better what you did last year. I'm happy with how last year turned out for me, and this year is very much more exciting. I'm preparing myself nicely. I'm feeling fit and ready to go. Obviously as an athlete, you want to lower your personal best every year, but unfortunately, sometimes it doesn't work out like that. But I'm definitely aiming to lower my personal best both in the 100m and 200m,” Hughes declared.
“I'm in good shape and I’m excited. I've definitely counted myself as one of them (athletes) to be reckoned with (for an Olympic gold medal). I'm never going to count myself out now because you've seen what happened last year, and I'm excited to top my performance from last year,” he added.
Though he 48.25s in a 400m run in February, followed by a 20.40s-clocking in March, the 28-year-old pointed out that he is yet to really hit top gear in preparation for the upcoming Olympic Games, but is aiming to do so at the sixth edition of the Racers Grand Prix, on June 1, at Jamaica's National Stadium.
At the Racers Grand Prix, Hughes will line up alongside Racers Track Club teammate Oblique Seville and American World champion Noah Lyles in the 100m, which he considers a good prelude for what could come at the Paris Games.
“I'm looking forward to it, I was listening for who was going to be there; Oblique and I have been training pretty good and I know both of us representing coach Glen Mills, will be bringing it on the day. So, I look forward to who's in the field, especially with Lyles being there,” Hughes said.
“This race is to get you prepared for what's to come later in the summer. So, to have great competition like that at the Racers Grand Prix is just a great indicator to see where we're at, and what we can tweak going into our national trials, because my trials will be the latter part of June. So, for me, I'm looking forward to this race and the following week I'll have the European Championships as well. So, it'll be a great indicator for me,” he shared.
Working tirelessly under the watchful eyes of decorated coach Mills, Hughes, a four-time European Champion, has upped the ante in the gym to improve his strength, as he is leaving no stone unturned in his quest for Olympic glory.
“My training has been going tremendously well. I'm excited to open up properly (at Racers Grand Prix) because my first race wasn't so good because I had a little niggle, but I've overcome that now and I'm very excited to see what's there. I've worked on my strength a lot, physically, I'm a lot stronger and I just want to keep on top of my mental health as well,” Hughes revealed.
“Those things are very crucial going into an Olympic year, so you have to be very focused. You have to ensure that your body is properly fit as well in order to go there to give the best that you're looking for. So, I'm pretty sharp on keeping my mental focus up and ensuring that I'm properly recovered,” he ended.
Tom Dean has no regrets about going public with Paris 2024 ambitions
Tom Dean insists he has no regrets about making public the extent of his Paris 2024 ambitions despite a setback at this month’s British Championship that left his quest to claim five medals in the French capital hanging by a thread.
The 23-year-old bullishly proclaimed his plan to seek to eclipse his long-term rival Duncan Scott as the most prolific British athlete at a single Games shortly after surging to prominence by winning double gold in Tokyo.
But third-place finishes behind Scott and Matt Richards in both the 100 and 200 metre freestyle finals mean Dean is only certain to compete in one individual event – the 200m medley – plus two relays, unless either of his rivals choose to streamline their Paris hopes.
Dean told the PA news agency: “When you put yourself out there it comes with the risk of being exposed and falling short, and it makes the feats of those incredible champions who make the claims and go out and back them up all the more impressive.
“It was a conscious decision and a source of motivation. I had a long conversation with my coach and my agent and we decided it was something we wanted to do. It is very much still on – there is a lot of individual and relay potential in Paris – and it’s still at the forefront of my mind.”
Dean is the first to admit there are parallels between his own decision to go public and Adam Peaty’s ‘Project 56’, in which he made plain his drive to smash the 57-second mark in the 100m breaststroke, and subsequently to go on to set a world record that could never be beaten.
Like Dean, Peaty has endured a recent rollercoaster, picking up a relatively disappointing pair of bronze medals at the World Championships in Doha in February, although he bounced back by booking his berth in Paris with his fastest time since winning his second straight Olympic gold in Tokyo.
“There’s not an ounce of arrogance or over-confidence about it,” said Dean. “It’s us going out and saying, we’re the only people who have won individual gold medals, we’ve won world and Commonwealth golds, and we have the belief that we can go and do it again.
“It’s what puts the fire in your belly, it’s what gets you up in the morning and pushes you on. That’s how I’ve been feeling since I came home from Tokyo, which feels like two days ago. I want to go out and win as many medals as possible.”
The notion of adversity is a strictly relative one for Dean, who overcame two bouts of Covid at the start of the delayed Tokyo Olympics year, which forced him to spend seven weeks away from training and left his hopes of even reaching the Japanese capital in serious doubt.
The rest is history as Dean went on to become the first British swimmer to win two golds at the same Games in 113 years, his subsequent record-breaking medal haul at the Birmingham Commonwealth Games sealing his place in the spotlight and culminated in him being awarded an MBE by Princess Anne.
For Dean, being pipped by two world-class rivals is an inevitable result of being part of one of the most competitive freestyle eras – and one of the most promising domestic relay squads – for many decades in the sport.
“I’d be lying if I said it wasn’t tough at the moment to put a positive spin on things, but I’ve always been able to do that and even if it still feels a little bit raw, there’s plenty of good things to focus on for France.
“Adam is leaps and bounds ahead of the rest of the British field, while my events are the most competitive in the world. I’ve been on the podium with Duncan and Matt so many times and we are separated by just a few hundredths of a second.
“Again, it’s how you deal with that level of competition that will define you. I think the fear of failure is something that could be positive or negative. It’s the spin that you put on it – if you use it to your benefit, that’s when you can become pretty unstoppable.”
Paris 2024 promises to be an Olympic Games like no other
Boats down the Seine, B-boys at the Place de la Concorde and the lure of cold, hard cash promise to make the Paris 2024 Olympics, which get underway in 100 days’ time in the French capital, a Games like none before.
If traditionalists were already blanching at audacious plans to rip up over a century of opening ceremony traditions, let alone welcoming the sport of breaking into the Olympic fray, they will have been white-eyed with fury at the announcement that track and field stars will each pocket a USD50,000 bonus.
After the relative sterility of a delayed and Covid-stricken Tokyo 2020, the French capital, as well as the individual sports on an ever-growing and potentially tenuous programme, is preparing to pull out all the stops.
The Games will start on July 26 with the first opening ceremony to be staged outside a stadium, each national delegation instead sent bobbling 6km down the city’s major artery before disembarking in front of the Eiffel Tower.
Two weeks later, windmills, freezers and top rocks will become an official part of the Olympic lexicon for the first time as breaking makes its debut, B-boys and B-girls going head-to-head in DJ-driven battles.
If its inclusion is not quite as contentious as the appearance of live pigeon shooting on the programme for the first Paris Olympics in 1900, it has raised some questions about the IOC’s almost obsessional commitment towards attracting the attention of global youth.
Breaking joins other recently established sports like skateboarding, surfing and BMXing in the so-called ‘urban’ section of a constantly evolving Olympic programme, and one for which it would appear a city like Paris is ideally suited.
For Team GB, now led by the likes of 15-year-old Sky Brown, keen to build on her history-making skateboarding bronze in Tokyo, there is a sense of similar upheaval, as a generation of new stars emerge and begin to eclipse the established order.
There will be no Laura Kenny to light up the Velodrome, while in contrast to their dominant pre-Tokyo preparations, question-marks hang over the ability of the likes of Adam Peaty and Max Whitlock to retain their respective titles.
Nevertheless, Tom Dean, Keely Hodgkinson, Tom Daley, Beth Shriever and Emily Campbell will expect to return to the podium at the head of a squad that looks more than capable of resuming its top three status in the final medals table.
Dean and his closest revival Duncan Scott continued a stunning surge to prominence by the British swimming team – kick-started by Peaty’s heroics in Rio – while Daley and Matty Lee underscored a wave of promise for Team GB in the water.
Hodgkinson’s ongoing battle to avoid another silver lining against rivals Athing Mu and Mary Moraa will generate top billing on the track, where double world champion Josh Kerr resumes his mouthwatering rivalry with Norway’s Jakob Ingebrigtsen.
The international narrative will inevitably be headed by Simone Biles, hoping to add to her current haul of seven Olympic medals after recovering from a psychological phenomenon known as the ‘twisties’ which restricted her success in Tokyo to a solitary – if heroic – bronze on the beam.
Meanwhile French hopes do not come any bigger – literally – than judo heavyweight Teddy Riner, who boasts three Olympic golds and 11 world titles, and bids to cap his extraordinary career with another victory on home soil.
All of which will be played out in front of the welcome sight of sold-out grandstands, a world away from the bare bleachers in Tokyo, and a symbol, or so the IOC would like to see it, of the Games having weathered one of the most serious storms in its history.
It is perhaps that new-found consciousness of the need to adapt that has pushed the IOC into making more aggressive changes, be it in future bidding processes or in urging the b-boys and b-girls off the streets and into the Olympic auditorium for the first time.
The Olympic movement has evolved unthinkably since that first Paris Games 124 years ago, when resolutely amateur pursuits like angling, ballooning and croquet were also on the programme, the latter reportedly staged in front of a single paying spectator.
Some might say the latest changes are a step too far. But after the turmoil of Tokyo, most of those fortunate enough to be present in Paris will just be grateful that the Olympics are back, and braced to bop to any kind of beat at all.
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